What lovely non-wobbly lines. I remember doing similar doodles at school (usually in Science lessons) but nothing that looked so elegant and balanced. I really like that.
If you look in the centre of the page, you can make out a big shape made up of a circle on the left joined to a square on the right. I drew that big shape, and then filled it in (although you don't just follow round the outline, you break it up with new shapes).
The rest of the page was done by breaking it up into sections of a similar size, but trying to strike out lines in an unexpected fashion, and in a way that it would create sections that would be interesting to fill in. It's all boxes and circles, although I went wrong at one point and ended up using an unbroken single line to fill in one section. Oops!
I've never tried doing a whole page with a single unbroken line. (There's a bit in this one where I lost track and ended up using a single line, but I'm Not Telling Where *g*)
Good icon choice. Did you ever do those books of intricate patterns - what are they called? - they were patterns built up of small geometric shapes that you could colour in.
Does this relate in any way to how you write your stories? A bit of plot here, a bit there, think of a way to join them together, another bit pops up in between ...
How beautiful! How did you go about creating it? (I know nothing about doing digital art.) I am writing about Cardassia at the moment, and that's how I imagine their abstract art to be: intricate and interconnected.
and that's how I imagine their abstract art to be: intricate and interconnected.
Cool!
How did you go about creating it?
With lots of trial and error!
The basic idea is: 1. random dots on the canvas 2. select the outlines of same 3. grow the selection 4. convert the selection to lines 5. fuzzy-select the area outside the lines 6. shrink the selection 7. convert the selection to lines 8. repeat from 5 until the whole area is filled. 9. Then use those lines to make a bump-map out of - light-and-shade (technical stuff) 10. tweak a lot until I got the background I wanted -- the grey "stone" look 11. tweak a lot with lots of stuff, until I decided it would be fun to make glass-ball images to put in the centre of the circles 12. made the blue glass ball image, and duplicated it lots of times 13. decided I wanted a smaller one as well, in a different colour (red) 14. duplicate that lots of times 15. decide I didn't want every single circle to have a glass ball in it, so tweaked it until the mix was something that pleased me.
It really is extremely beautiful: my eye seems to dance across it, following troughs and rises. The glass-balls are a brilliant idea.
I'm writing a scene set in a Cardassian garden with decorated stone benches and walls in it, and if it's OK with you (and I can fit it in!), I'd love to get a description of this in. Would that be OK?
And hee, also (in the Great Study Tidy-Up/Journey Through The Past one of the things I found out that I'd forgotten is that gerald and I used to call each other Tubbs and Edward a lot in the early days of our relationship, though the exact reason why is lost in the mists of time.)
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Date: 2008-08-07 07:43 pm (UTC)Eta: my lines were always wobbly!
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Date: 2008-08-08 07:29 am (UTC)The rest of the page was done by breaking it up into sections of a similar size, but trying to strike out lines in an unexpected fashion, and in a way that it would create sections that would be interesting to fill in. It's all boxes and circles, although I went wrong at one point and ended up using an unbroken single line to fill in one section. Oops!
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Date: 2008-08-08 05:11 pm (UTC)(Edited twice for idiocy!)
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Date: 2008-08-08 05:23 pm (UTC)(If You Liked This, You May Also Like
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Date: 2008-08-08 10:15 am (UTC)no subject
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Date: 2008-08-08 10:47 am (UTC)and that's how I imagine their abstract art to be: intricate and interconnected.
Cool!
How did you go about creating it?
With lots of trial and error!
The basic idea is:
1. random dots on the canvas
2. select the outlines of same
3. grow the selection
4. convert the selection to lines
5. fuzzy-select the area outside the lines
6. shrink the selection
7. convert the selection to lines
8. repeat from 5 until the whole area is filled.
9. Then use those lines to make a bump-map out of - light-and-shade (technical stuff)
10. tweak a lot until I got the background I wanted -- the grey "stone" look
11. tweak a lot with lots of stuff, until I decided it would be fun to make glass-ball images to put in the centre of the circles
12. made the blue glass ball image, and duplicated it lots of times
13. decided I wanted a smaller one as well, in a different colour (red)
14. duplicate that lots of times
15. decide I didn't want every single circle to have a glass ball in it, so tweaked it until the mix was something that pleased me.
no subject
Date: 2008-08-08 03:38 pm (UTC)I'm writing a scene set in a Cardassian garden with decorated stone benches and walls in it, and if it's OK with you (and I can fit it in!), I'd love to get a description of this in. Would that be OK?
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Date: 2008-08-08 03:56 pm (UTC)no subject
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Date: 2008-08-08 10:56 am (UTC)no subject
Date: 2008-08-08 01:31 pm (UTC)(ETA: I misread that at first and wondered why you were calling me a "limey".)
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Date: 2008-08-08 01:51 pm (UTC)And hee, also (in the Great Study Tidy-Up/Journey Through The Past one of the things I found out that I'd forgotten is that
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Date: 2008-08-08 04:16 pm (UTC)