Scientific marvels
Apr. 10th, 2003 10:11 amI brought the laptop upstairs to bed with me. Wireless networking is a marvellous thing. Still no cure for the common cold, though.
Bit of a Zemeckis-fest this week; watched Forrest Gump the other night, watching Contact as I type. I still like Forrest Gump in a sort of shamed 'I probably shouldn't like this sentimental nonsense' kind of way (tho' it does go on too long). And I really like Contact.
Bit of a Zemeckis-fest this week; watched Forrest Gump the other night, watching Contact as I type. I still like Forrest Gump in a sort of shamed 'I probably shouldn't like this sentimental nonsense' kind of way (tho' it does go on too long). And I really like Contact.
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Date: 2003-04-10 03:48 am (UTC)Absolutely! And I also like your idea of watching a DVD in a corner of your screen while typing. I must try it. Hmm, it would be a good excuse to go shopping for a new laptop....
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Date: 2003-04-10 03:51 am (UTC)We take television *very* seriously in this house.
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Date: 2003-04-10 04:02 am (UTC)no subject
Date: 2003-04-10 04:12 am (UTC)no subject
Date: 2003-04-10 04:23 am (UTC)I can recommend ChocExpress (http://www.chocexpress.com) - chocolates by post. No more foraging: the only thing you have to do is open the door to the post delivery. Unfortunately, like all online shopping, it's both easy and addictive. The only reason I'm not the size of a house is that, as I mentioned, I'm no good at lying in bed. You've been warned.
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Date: 2003-04-10 04:46 am (UTC)Re: <i>Contact</i>
Date: 2003-04-10 07:23 am (UTC)I think 'Contact' handles questions of faith really well, and really interestingly. And I love SF movies that look more at social and cultural issues (heh, of course).
I think it's probably one of my favourite films too - definitely an INFJ film! *g*
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Date: 2003-04-10 07:40 am (UTC)Altariel, couldn't you get one of the penguins to lower a basket on a rope, then bring you the bounty? (or green and blacks, or mars, or...)
TL
(browsing choccy site and whimpering piteously)
Re: <i>Contact</i>
Date: 2003-04-10 08:00 am (UTC)--Archbishop Melker, INTP
Re: <i>Contact</i>
Date: 2003-04-10 08:04 am (UTC)too bad the movie muff that part up so badly, because up until that point it was very good. "Some things we just have to take on faith" was a crappy cop-out of an ending; the movie deserved better.
Re: <i>Contact</i>
Date: 2003-04-10 08:10 am (UTC)Re: <i>Contact</i>
Date: 2003-04-10 08:17 am (UTC)But I can understand how that kind of thing would be damnably frustrating.
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Date: 2003-04-10 08:21 am (UTC)Re: <i>Contact</i>
Date: 2003-04-10 09:38 am (UTC)no subject
Date: 2003-04-10 10:22 am (UTC)Ooops, sorry! *g* If it's any consolation, I've also been whimpering at the site. I'm compiling my Easter order, and have just had to scrap it on the grounds that it was so large it was practically a weapon of mass destruction. Ok, and also that it was hideously expensive. So I'm starting again, restricting myself to the absolute essentials.... Ahem.
Re: <i>Contact</i>
Date: 2003-04-10 11:30 am (UTC)Re: <i>Contact</i>
Trixie Leitz, Ixxx
Re: <i>Contact</i>
Date: 2003-04-10 04:14 pm (UTC)Re: <i>Contact</i>
Date: 2003-04-13 06:13 am (UTC)It's a classic British film, made in 1946, directed and produced by the classic partnership of Michael Powell and Emeric Pressburger. I think their most famous film is probably The Red Shoes (ballet movie), and they also made Black Narcissus (nuns in the Himalayas).
As well as being beautifully, stunningly shot, A Matter of Life and Death also has entertaining takes on the 'special relationship' between the US and Britain.
What are your other favorite SF films?
Argh! Talk about putting someone on the spot, LOL! The moment I get a question like that I blank on any film titles! Er, Bladerunner... Name some SF films and I'll tell you if I like them!
To be honest, I'll watch any film with SF content, because I like looking at starscapes. Even went to see Mission to Mars twice. I really love SF and fantasy television, particularly classic (1970s) British television - SF and fantasy on TV and with real budgetary constraints means that the scripts and the performances have to come to the fore.